Michel Noher had to create a life for himself before embodying that of another. When Tristan came into their hands, there were barely essential data that contained the first scripts of Drifters. He knew who they were, where they came from, who they loved, and most importantly, what they had to do. But for Noher, that was not enough. Entonces, como es habitual cuando un personaje aún no es más que unas pocas páginas, comenzó a escribir.
The Argentine actor immerses himself in the role of the man who rebuilds his life alongside Lucía (Paula Echevarría) until they believe her long-lost husband returns from the sea: «Tristán is faithful to the affections and debts he feels he must pay.»
Michel Noher had to create a life for himself before embodying that of another. When Tristan came into their hands, there were barely essential data that contained the first scripts of Drifters. She knew who he was, where he came from, who he loved, and most importantly, what he needed to do. But for Noher, that was not enough. Entonces, como es habitual cuando un personaje no es más que un pequeño fragmento de historia, comenzó a escribir. Creó el pasado de Tristán, ideó su infancia, recontruyó su viaje a Argentina, investigó cuándo sería posible que saliera de España y cuándo tendría sentido regresar. He was filling in the gaps that would never appear on screen until he created something resembling a complete existence. «I come from the classical school,» he explains. Su proceso implica seguir la historia del personaje, comprendiendo su identidad y las situaciones que lo han conformado hasta llegar a ser quien es hoy.
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